light in a physical space

The second step is to fill the analog mediums with digital elements like music, found footage, field recordings, and visual art. This content is very accessible and requires less effort to put together, but due to that it also simplifies adding the levels of freedom. When combined with the analog part, the system still may seem pre-determined because of the parameters the artist sets, however, opposed to numbers, the variety of forms that may be achieved is inconceivably large due to the abstract nature of art. The final note in the increase of variability plays a unique perception and, most importantly, positioning of the viewer against the art.

Even though multiple levels of freedom may represent chaos, the artist can practice to balance the chaos with the curation of certain elements to achieve the planned level and dynamic of freedom. Generation can also involve other participants introducing their own levels of freedom both live or preliminarily. Music can dictate the image and vise versa. Unexpected elements that might have less complexity might dictate pace, to those that have more, thus creating an absurd or uncanny movement in them - this is one of the examples of a RAW in fusion. Elements living free of boundaries of one perception, smaller un-enchanted with art elements, playing a key role in something thoroughly curated.